SISYPHOS
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Sisyphos · Editorial reasoning engine

Your first cut, already done.

You shot for hours. Sisyphos watches every frame, finds the moments worth keeping, and lines them up as a first cut you can open and change.

Every pick comes with a reason. Every reject, too. You stay the editor.

For macOS · In development

  • AEvery frame watched
  • BEvery choice explained
  • CVideo files stay on your Mac
01

Product film

From import to a Resolve timeline · 43 s
00:00
00:43

For anyone who shoots far more than they use.

02How it seesMeasured on your Mac

Every frame, watched.

Before anything is judged, every clip is measured on your Mac across five signals, from motion to technical quality. Motion and sound, ten times a second, first frame to last.

Then Sisyphos selects and trims. Every reason it gives comes from these measurements.

  • 01Motion0.62
  • 02Audio−14.0 LUFS
  • 03Beat38 hits
  • 04Aesthetic0.86
  • 05Technical0.91
I · Measure II · Select
  1. Specimen · one shoot

    Scroll to measure.

    Drag the stone to turn it.

  2. 01Motion

    Subject and camera, measured apart.

    Movement in the frame is split into subject motion and camera moves.

  3. 02Audio

    Energy, peaks and onsets.

    Where the sound hits, and how loud the clip really is in LUFS.

  4. 03Beat

    Where the beat lands.

    Cut points snap to real hits in the sound. Never at fixed intervals.

  5. 04Aesthetic

    How good the image looks.

    Every keyframe gets an aesthetic score from an image model, on your Mac.

  6. 05Technical

    Focus, exposure and shake.

    Shaky moments are dropped, and the reason goes on record.

  7. Every clip · first frame to last

    Every frame watched.

    Every measurement is stored, so every decision can be explained.

  8. 06Footage

    The whole shoot, clip by clip.

    Every clip goes through the same measurements, first frame to last.

  9. 07Shortlist

    The strongest moments go forward.

    Near-duplicates drop out. When two moments overlap, the stronger one stays.

  10. 08Trim

    Each one trimmed toward its best second.

    In and out points land on a beat, a shot change or a quiet dip.

  11. 09Picks

    Every pick comes with a reason. Every reject, too.

    The AI judge rates each one and writes down why, in plain words.

Illustrative values · stills from a skate session

03The recordEvery pick · every reject · on the record

A first cut. With reasons.

Every clip Sisyphos considered is on the record, including the ones it dropped, and why.

Ask “why isn’t this moment in my cut?” and you get an answer, not a shrug.

Illustrative review. Click a clip to see its reason.

    04Not a black boxGuessing vs. knowing why

    Other AI editors guess. Sisyphos knows why.

    Other AI editorsSisyphos
    Decides byTranscript and templateWhat’s on screen: motion, sound, beat, sharpness, aesthetics
    A moment with no wordsGets lostCan still make the cut
    When you ask whyNo answerA reason in plain words, for every pick and every reject
    When it’s wrongStart overChange the pick. You stay the editor.
    What you getA video you can’t editA first cut you can open and change

    Same footage, same cut

    Run it today. Run it next year. Same cut, to the frame.

    The same footage with the same settings produces the same cut, every time, and you can verify it.

    Run 001c6d4b29578e006af…5318255393dbeb1d2f60aea1

    Run 002c6d4b29578e006af…5318255393dbeb1d2f60aea1identical

    diff run-001 run-002 → ∅

    Local-first

    Your video files stay on your Mac.

    All analysis runs locally. Only the final rating step sends a few still images plus the measurements to the AI, through your own key.

    Into your timeline

    DaVinci Resolve gets a one-click push.

    Everyone else gets standard FCPXML and EDL exports. All three link your original files at the right timecode. Never proxies.

    05PricingPerpetual · runs on your machine

    One license, yours.

    “Perpetual, because it runs on your machine.”

    Sisyphos works on your footage, on your hardware. So you own it, the way you own your lenses.

    Footage you’ve already analyzed never costs you again. Sisyphos remembers its answers instead of buying them twice.

    Sisyphos license · launch price

    €129

    €189 after launch

    • APerpetual license. Pay once, use forever. Includes 12 months of updates.
    • BAfter year one, keep using your version forever.
    • CBring your own AI key. Cents per clip, and nothing routed through us.
    Join the waitlist

    In development. Join the waitlist and you hear it first when it ships.

    06Fair questions

    Fair questions.

    Q1Does my footage leave my machine?

    No. Your video files stay on your Mac. All analysis runs locally. Only the final rating step sends a few still images plus the measurements to the AI, and the app technically can’t send more: every outgoing file is checked, and anything that isn’t a still image is blocked before it leaves.

    With your own Gemini key, those stills go to your Google account under your data terms. Not through our servers. We run no cloud.

    Q2Which NLEs does it feed?

    DaVinci Resolve gets a one-click push: Sisyphos builds the timeline in your running Resolve Studio via the scripting bridge. Everyone else gets standard FCPXML and EDL (CMX3600) exports. All three link your original files at the right timecode. Never proxies.

    Q3What hardware do I need?

    A Mac. Apple silicon is recommended: perception is compute-heavy and caches aggressively, so the first pass over a card is the slow one and everything after is instant. Windows is on the roadmap; tell us on the waitlist if that’s you.

    Q4What does analysis cost to run?

    Cents per clip, with a hard cap. Footage you’ve already analyzed is never billed again. Sisyphos remembers. You see every cent in your own Google console.

    Q5Is this an AI auto-editor?

    No. An auto-editor hands you a finished opinion; Sisyphos hands you an argument: every pick has axes, a rationale, and a ledger row, and every reject has a reason. It assembles the first cut; you stay the editor.